Enid Dame (1943-2003) was an upbeat Post-Beat feminist poet. Her satire lacked the cynicism that defeats its purpose, and her good-humored, tongue-in-cheek sensibility made her work unique. Her poetry often brought Biblical characters, especially women, to life.
Her poem, Lilith, showcases her humor and spirit. When she read it with her Brooklyn accent the effect was effervescent. One reviewer said of her book, On the Road to Damascus, Maryland, that it was “a book of illuminations, conversions, and the hauntingly contemporary voices of Biblical heroines.”
For 25 years, with her husband, the poet Donald Lev, Enid published Home Planet News, the voice of taxi driver and worker poets, road poets and café poets, and multi-everything poets. The duo ran the late night readings in the 1970s at the Cedar Tavern in Greenwich Village with just the right mix of order and disorder. A long polished bar and chairs and tables glittered beneath the plate glass sky roof and windows on the street gave the place a dark glamorous look. It was legendary as a watering hole in the 1950s and 1960s for Gregory Corso, Jack Kerouac and other Beat poets, along with Jackson Pollock, Andy Warhol and other modern artists.
Enid taught composition at the New Jersey Institute of Technology and creative writing at Rutgers University in New Jersey. She was a scholar of Jewish women’s poetry and midrashic writing, lecturing at the Institute for Contemporary Midrash, for the Religious Diversity Seminars of the New Jersey Council for the Humanities. She co-edited the anthology Which Lilith?: Feminist Writers Re-Create the World’s First Woman (1998). Enid had seven volumes of poetry published, including Riding the D Train, Lilith, Lilith’s New Career, and Anything You Don’t See.
But what I remember most about her was her smile, her generosity, her passionate, amiable courage, as well as her intelligent, insightful poetry.