My Writing Process: The Blog Hop Tour

DM Denton (http://bardessdmdenton.wordpress.com) invited me to participate in this Blog Hop Tour and answer four questions about my writing process. Diane is the author of A House Near Luccoli, All Things That Matter Press, an historical romance based on the life of the Baroque musician and composer Alessandro Stradella. An accomplished artist, she illustrates her own books. Her short fiction books include The Library Next Door and The Snow White Gift.

1) What am I working on?

I am taking a stab at philosophical essays, relying more on my sticky-note mind that gloms up ideas, phrases, points of view and a dim memory of wandering into the wilderness from time to time in my life, than any deliberate reading or traditional educational experience. Some of these essays are inspired by a writing group of thinkers, caregivers, teachers, and disabled persons: actually each person in the group embodies several or all of these “labels.”

Currently, I am working on Children of the Moon, or is it working on me? In this long short story, or novelette, a troubling and enigmatic character named Shadow is befriended by several teens. Two teenaged brothers, Sandy and Will, are separated as Sandy is convicted of assault and sentenced to a long jail term. Two teenaged girls, Laurel and Mira, face their own challenges along with those of the brothers. A rancher-lawyer, Morris Rubra, tries to help them all. There’s a bit of mystery in what happens to Sandy, and at the end, an unexpected link to another book of mine.

The other major project, Into The Fire: A Poet’s Journey through Hell’s Kitchen, is much longer. This is what I call a “docu-memoir” of my early years on Manhattan’s West Side, working in the arts and transiting into community services.

2) How does my work differ from others of its genre?

Each of my books mixes styles, or genres. In this way, perhaps my writing will bridge the gap between very different people, and if I can achieve it, between and among diverse communities.

I’d like to think I’m part of a trend toward mixing genres and creating new classifications. One popular author, Alexander McCall Smith, in his detective series combines the slimmest mysteries with philosophy, social commentary, ethics, and a dash of history.

Tally: An Intuitive Life (All Things That Matter Press) is part memoir, part biography, and features conversations about philosophy and art history. It differs in that it doesn’t keep to a strict chronology, and two of the main characters’ names are changed, really a literary device. So it’s best described as that new amalgam, Creative Non-Fiction.

Children of Light (BardPress/Ten Penny Players) is a blend, or alternation, of poetry, poetic prose and dialogue, built around the themes or issues, and characters, rather than traditional plot lines. It is traditional in that it is chronological, but even in the specific times and places, there is universality. A reader called it a “poetry novel” years ago and the name has stuck.

Covenant (self-published Kindle Direct)  falls into a new category: Boomer Lit. It is primarily historical fiction, with occasional poems, calling on some of my own experiences growing up in Florida in the late 1950s and early 1960s. Other parts came from research and stories I heard later on.  There is little embellishment, which there often is in the historical fiction genre, but there are variations of theme and character, so it is my hope (it springs eternal) they appear at different stages, in different lights.

In Children of the Moon, my writing continues in this terse style, with metaphors bundled into a few sentences. These follow one upon another. Each sentence or two sentences is like a Tweet. I began writing like this about twenty years ago as modern life bore down upon me with all its stimulation and diversity. Before that, I was interested in the detail, the finest descriptions. The change helped me cull out the meaningful from the noise, and move on, because so much more is available, out there to be apprehended. Yes, there is a loss of the wonderful detail, the embellishments of 19th Century literature. But I think we receive and take in information differently now.

3) Why do I write what I do?

There’s the sheer beauty of the experience. It began with that, and still does. Writing is also an adventure into the unknown; sometimes it’s a response to a subliminal beckoning: into what you sense but don’t realize that you have any knowledge or understanding of until you make the journey. There are always surprises, times of pain, times of fun and epiphany.

Certain ideas and characters have been with me for years. With them I live through and express my reality. In a way they are avatars that I unleash in fictional or historical settings. The ideas that populate my mind, that Jungian garden, involve human motivation, our essential nature, and our role, if any, in the universe. So there’s a lot about intent, guilt and innocence, identity, relationship with the natural world, love and friendship, freedom, search for meaning, and death.

Tally: An Intuitive Life, for instance, is an unvarnished look at old age and dying, and how we determine the meaning of our lives. It is a story of caregiving and friendship across generations and values and lifestyles. It will challenge you as a reader.

4) How does your writing process work?

It would be a good idea to have one! I suspect I would be more successful. Basically, I sit down and write whenever and wherever I can, as long as I have the space and time to concentrate.

And now, I recommend visiting the websites of these fine writers who have joined us in the Blog Hop:

Grace Peterson is an author, garden columnist and blogger. Depending on the weather she can be found either pecking on her laptop or puttering in her garden. Her blog can be found at www.gracepete.com

Jo Robinson is a South African writer. In her book, African Me and Satellite TV, a woman living in modern Zimbabwe has managed to escape reality for years, until she takes in an elderly domestic worker and begins a journey into the turmoil outside her door and within her own life. Jo also writes short stories, science fiction and fantasy. Her blog on “My Writing Process” starts March 3: http://africolonialstories.wordpress.com/

MaryLee MacDonald is unable to join the Blog Tour since she is working on her new novel. She is a prolific writer of literary fiction and creative non-fiction. Her book, Montpelier Tomorrow, is forthcoming from All Things That Matter Press. Please visit her Author’s Guild website: http://www.maryleemacdonald.us/.

Tally: An Intuitive Life

TALLYFRONT

Tally: An Intuitive Life, published by All Things That Matter Press

Available at Amazon/Kindle and BarnesandNoble.com/Nook

An unlikely friendship between a young woman and an elderly man becomes a journey into identity, aging, and the meaning of life. The young Erin Yes is intrigued by the 79 year-old Greenwich Village artist Paul Johnston (PJ).

Erin Yes, called Eyes and Eyart by PJ, learns of his early days in the 1920s Village, and his career as a fine printer, book designer and writer. But in mid-life, PJ tells her, he and his wife split up, and he fell ill. He died in the hospital, and accepted “this death as the fulfillment of a very great life.” To his consternation, he is brought back to life to find he is receiving a blood transfusion from his estranged wife.

After this “death and renascence” he realized he is a “ghost of the father, the husband, the printer” he had been. At the same time, he has been purged of all the guilt of his previous life. Still, he  is not a baby, but reborn or “re-based” in the skeleton of a man with the mind and memory of an adult. He has to re-identify himself and “find new reasons to live.” Over the years, he creates several identities: The Writer, The Artist, The Professor of Love, and The Old Man.

Throughout the second half of his life, he re-creates himself anew, each time returning to innocence. He begins to write a daily journal, tapping into several levels or layers of consciousness, where he finds “all the comprehensions and contradictions” of life. He evaluates his intent, motives and behavior, and in this way, is able to adjust his intuition so that he can act and react in an amiable and positive way.

Erin is intrigued by his concepts of intuition in life and art, of guilt and innocence, and the transforming role of consciousness. Erin and PJ’s friendship is an emotional and intellectual adventure, often testing the limits of their relationship. Erin comes to realize PJ is more than a teacher and friend.

Will you think of me, and love me,

As you did once long ago?

Review excerpts:

“Unexpectedly, I found myself very moved by the book’s ending, feeling the question: how can we be sure we have influenced someone as significantly as they have influenced us?” – Diane M. Denton, author of A House Near Luccoli

“PJ’s intellect and humor makes him an utterly fascinating subject. Some of his musings are brilliant; others, wildly off-the-wall. … It’s not a book you can race through, but one that will make you think a lot about how anyone assembles the flotsam of life into a coherent story. Lest you think PJ was some kind of eccentric and amusing kook, a chapter near the end will prove you wrong.” – Marylee MacDonald, author of Montpelier Tomorrow